George Balanchine’s Jewels is a three-part ballet celebrating his vision of three jewels. Visually and thematically structured around the motifs of Emeralds, Rubies and Diamonds, the piece explores the idea of movement radiating from the body through each specific jewel.
Formations in George Balanchine's Jewels - Video
Making its world premiere at New York City Ballet in 1967, Jewels showcases Balanchine’s atmospheric musicality. These contrasting works explore his time in Paris, New York and St Petersburg through the harmony of music and the defining visual elements of colour, shape and silhouette. Each of the three acts is distinct in style and mood, set to music by three different composers: Fauré for Emeralds, Stravinsky for Rubies, Tchaikovsky for Diamonds. Opulent costumes and sets unify each of the three sections to achieve one regal whole, which will showcase the breathtaking classical precision of The Australian Ballet’s artists.
A mesmerising spectacle that is both soft and sharp, racy and refined, flashy and majestic, Jewels is a lavish work capturing the company’s celebratory spirit in its milestone 60th anniversary year.
Jewels has been entirely funded by the generous donors of The David Hallberg Fund.
"Full marks to The Australian Ballet dancers for imbuing such technically challenging choreography with far more humour and sensuality than is normally found in this act. Their ability to derive such obvious pleasure in their performances is testament to their superior technique, and this carries over the footlights to a very appreciative audience."
Limelight | ★★★★★
In a creative feat that will see ballet transposed from screen to stage, Don Quixote recreates Rudolf Nureyev and Robert Helpmann’s 1973 film in a wildly colourful, palpably textured stage spectacle. A tribute to the legacy of the legendary Russian dancer and director who was a guest of The Australian Ballet in the early 1970s, this production resembles a painting come to life, enriched by a Spanish-flavoured score by veteran 19th-century ballet composer Ludwig Minkus, and vibrant costumes and sets that immerse audiences in a sultry experience of classical ballet.
Don Quixote moves from a rowdy Barcelona port to the ethereal happenings of the Don’s dream, to the candle-lit finery of the wedding celebration. A spirited ballet bursting with humour, the story follows the barber Basilio, who wins the hand of his girlfriend Kitri with the help of the visionary knight.
No detail is left unexplored in this rendition of Don Quixote. Emphasising the integral role of the set in evoking the film’s seductive atmosphere, the stage brims with everything from flowers to candles, evoking the bustling streets of Spain.
From the ballet’s spectacular lifts in Act I, to rousing ensemble scenes and a glittering confection of tutus, Don Quixote is a multi-sensory feast that reminds us of ballet’s power in the historical creative canon.
The re-design and restoration of Don Quixote has been funded by The David Hallberg Fund, with support from The Barry Kay Fund.
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